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Writer's pictureJeremy Rata

Analog Artistry: Experimenting with Alternative Photographic Processes


Introduction

In an age dominated by digital photography, alternative photographic processes are experiencing a remarkable resurgence. These time-honoured techniques offer a refreshing departure from the immediacy of digital imaging, inviting photographers to engage in a more tactile and thoughtful approach to their craft. Alternative processes encompass a variety of methods that utilise light-sensitive materials to create images, often employing hands-on techniques that celebrate the unpredictability and uniqueness of each print.


The Appeal of Hands-On, Creative Experimentation

The allure of alternative photographic processes lies in their capacity for creative experimentation. Unlike digital photography, where the editing process can often overshadow the act of capturing an image, alternative methods encourage photographers to explore their artistic vision through physical manipulation and interaction with materials. This hands-on approach not only fosters a deeper connection to the photographic process but also allows for personal expression and innovation. By embracing these techniques, photographers can break free from traditional norms and discover new ways to interpret and represent the world around them.


Understanding Alternative Photographic Processes

Definition and History

Alternative photographic processes refer to a range of non-traditional methods used to create images on light-sensitive materials. These techniques often involve manual processes that can yield unique results, distinguishing them from standard photographic practices. Some well-known alternative processes include cyanotype, platinum/palladium printing, salt printing, gum bichromate printing, and lumen printing.


Brief History of These Techniques

The roots of alternative photographic processes can be traced back to the early days of photography in the 19th century. Techniques such as salt printing were among the first methods developed, allowing photographers to create images using simple materials like salt and silver nitrate. As photography evolved, so too did these processes, with innovations leading to the development of more complex techniques like platinum/palladium printing in the late 19th century.

Throughout history, alternative processes have been embraced by artists seeking to challenge conventional photography and explore new avenues for creative expression. Today, these techniques are experiencing a revival as contemporary photographers rediscover their charm and versatility.


The Importance of Experimentation

Experimentation is at the heart of alternative photographic processes. By engaging with these methods, photographers are encouraged to step outside their comfort zones and explore new creative possibilities. This spirit of experimentation fosters innovation and personal expression, allowing artists to develop their unique styles while pushing the boundaries of traditional photography.


Challenging Traditional Photography Norms

Alternative processes inherently challenge the norms established by digital photography. The unpredictability of these techniques—where outcomes can vary based on exposure times, chemical mixtures, or environmental conditions—invites photographers to embrace imperfections as part of their artistic journey. This freedom from rigid standards encourages a more playful and exploratory approach to image-making, ultimately enriching the photographer's practice and broadening their artistic horizons.


Analog Artistry: Experimenting with Alternative Photographic Processes

 Popular Alternative Photographic Techniques

Cyanotype

Cyanotype is a classic photographic printing process that produces striking blue images, first introduced by Sir John Herschel in 1842. This technique is celebrated for its simplicity and the unique aesthetic it offers, making it a popular choice among artists and photographers alike.


Overview of the Cyanotype Process

The cyanotype process involves treating a surface—such as paper, fabric, or other absorbent materials—with a light-sensitive solution made from two chemicals: ferric ammonium citrate and potassium ferricyanide. The basic steps are as follows:

  1. Mixing the Chemicals: Prepare two separate solutions—one with ferric ammonium citrate and the other with potassium ferricyanide—by dissolving them in water. These solutions are then mixed together in equal parts to create the light-sensitive cyanotype solution.

  2. Preparing the Canvas: The chosen surface is coated with the mixed solution in subdued light to prevent premature exposure. After coating, the material should be allowed to dry completely in a dark environment.

  3. Printing the Cyanotype: Objects or negatives are placed on the sensitised surface, which is then exposed to UV light (sunlight or a UV lamp). The exposure time can vary depending on the intensity of the light and desired effect.

  4. Processing and Drying: After exposure, the material is rinsed in cold water to wash away unexposed chemicals. The areas that were blocked by objects remain white, while the exposed areas turn a vibrant blue as Prussian blue pigment forms.


Unique Visual Qualities

Cyanotypes are renowned for their vibrant blue hues, which can vary from soft sky blue to deep navy depending on exposure times and toning techniques. The process allows for creative experimentation through photograms—images created without a camera by placing objects directly on sensitised paper—as well as traditional negatives.

Additionally, toning options exist for cyanotypes, enabling artists to alter the final colour of their prints. For instance, using tea or coffee can create warm, sepia-toned images, while other chemical toners can yield a range of colours.


Platinum/Palladium Prints

Platinum and palladium printing processes are highly regarded for their exceptional tonal range and archival qualities. These techniques use platinum or palladium salts to create images that possess a rich depth and subtle gradation of tones.


Explanation of the Platinum/Palladium Printing Process

The platinum/palladium printing process involves coating paper with a mixture of platinum or palladium salts and then exposing it to UV light under a negative. The image forms through a chemical reaction that creates an insoluble compound, resulting in prints that are both durable and visually stunning.


Archival Qualities

One of the most significant advantages of platinum/palladium prints is their longevity. These prints are less prone to fading compared to silver-based photographs, making them ideal for collectors and artists who value archival quality. The rich tonal range—from deep blacks to delicate highlights—gives these prints a three-dimensional quality that enhances their visual appeal.


Salt Printing

Salt printing is one of the earliest photographic processes, developed in the 1830s by William Henry Fox Talbot. This technique uses common table salt combined with silver nitrate to create images on paper.


Overview of the Salt Printing Technique

The salt printing process begins by soaking paper in a salt solution before coating it with silver nitrate. Once dried, the sensitised paper is exposed to light under a negative. After exposure, the print is developed in a solution of sodium thiosulphate to fix the image.


Unique Visual Qualities

Salt prints are characterised by their soft images and rich textures. The process often yields warm tones that evoke a sense of nostalgia, making it particularly suited for portraiture and landscapes. The inherent imperfections of salt prints add to their charm, allowing for unique variations in each print.


Gum Bichromate Printing

Gum bichromate printing is a versatile alternative photographic process that allows for layering colours and creating unique effects through the use of watercolour pigments mixed with gum arabic and bichromate sensitiser.


Introduction to Gum Bichromate Printing

In this process, artists coat paper with a mixture of gum arabic and bichromate sensitiser before exposing it under a negative. After exposure, the print is developed using water, allowing for selective washes that reveal different layers of colour.


Techniques for Layering Colours

Gum bichromate printing enables artists to experiment with multiple layers of colour, resulting in vibrant and painterly images. By varying exposure times and using different pigments, photographers can achieve an array of artistic effects that reflect their individual styles.


Lumen Prints

Lumen printing is a simple yet captivating alternative process that utilises light-sensitive paper exposed directly to sunlight along with objects or negatives placed on top.


Description of Lumen Printing

To create lumen prints, artists arrange objects on light-sensitive paper and expose them to sunlight for varying lengths of time. The resulting images capture delicate details from the objects while producing soft colours that reflect the ephemeral nature of light.


Visual Characteristics

Lumen prints are known for their ethereal quality and subtlety, often showcasing gentle hues and intricate textures. The simplicity of this process allows for spontaneous creativity, making it an appealing choice for those looking to explore alternative photography without extensive technical knowledge.


Tools and Materials Needed

Essential Equipment

When embarking on the journey of alternative photographic processes, having the right tools and equipment is essential for achieving successful results. Here’s a list of basic tools required for various alternative techniques:

  • UV Light Source: For processes like cyanotype and platinum/palladium printing, a UV light source (such as a UV lamp or sunlight) is crucial for exposing the sensitised materials.

  • Developing Trays: These are necessary for processing prints in various chemicals. You will need separate trays for different stages, such as developing, rinsing, and fixing.

  • Measuring Tools: Accurate measurements are vital when mixing chemicals. Graduated cylinders or measuring spoons can help ensure precise ratios.

  • Coating Tools: For applying sensitiser to paper, use brushes or foam applicators. A glass rod can also be useful for spreading the solution evenly.

  • Protective Gear: Safety goggles, gloves, and an apron are recommended to protect yourself from chemicals during the printing process.

  • Darkroom Setup: While not always necessary, having a darkroom or a light-tight space can be beneficial for handling light-sensitive materials without accidental exposure.

  • Paper and Film: Depending on the technique you choose, you will need specific types of paper (e.g., watercolour paper for gum bichromate) or film (for negatives in platinum/palladium printing).


Sourcing Materials

Sourcing the necessary chemicals and papers for alternative photographic processes can be done through various channels:

  • Photography Supply Stores: Many local photography shops carry essential materials for alternative processes, including sensitising chemicals and specialty papers.

  • Online Retailers: Websites dedicated to photography supplies often have a wide selection of materials for alternative processes. Look for reputable suppliers that specialise in traditional and alternative photographic products.

  • Art Supply Stores: Some art supply stores may stock suitable papers (like watercolour or printmaking paper) that can be used for processes such as gum bichromate or salt printing.

  • Homemade Solutions: Certain chemicals can be made at home using readily available ingredients. For example, sodium thiosulphate (used in fixing prints) can sometimes be sourced from pool supply stores as it is used to treat swimming pool water.

  • Community Resources: Joining local photography clubs or online forums can provide valuable insights on where to find materials. Fellow photographers may share their sources or even sell surplus supplies.

By gathering the right tools and sourcing quality materials, you will set yourself up for success as you explore the fascinating world of alternative photographic processes.


The Creative Process

Embracing Imperfection

One of the most captivating aspects of alternative photography is the inherent beauty found in imperfections. Unlike digital photography, which often strives for precision and perfection, alternative processes celebrate the unexpected outcomes that arise from manual techniques.


The Beauty of Imperfections

In alternative photography, every print tells a story—each mark, blemish, or variation adds character to the image. These imperfections can evoke emotion and create a sense of authenticity that resonates with viewers. Embracing imperfections encourages photographers to let go of rigid expectations and instead focus on the creative journey itself.


Developing Your Style

Finding your unique voice in alternative photography is an exciting journey that involves experimentation with different processes and techniques. Here are some tips to help you develop your style:


Experiment with Various Techniques

Try out different alternative processes—such as cyanotype, gum bichromate, or lumen printing—to discover which resonates with you most. Each technique has its own aesthetic qualities and challenges that can influence your artistic expression.


Keep a Visual Journal

Document your experiments by keeping a visual journal of your prints and notes on each process. This record will help you reflect on what works well and what doesn’t, guiding your future explorations.


Analog Artistry: Experimenting with Alternative Photographic Processes

Combine Techniques

Don’t hesitate to mix different alternative processes or incorporate digital elements into your work. Combining techniques can lead to innovative results that showcase your creativity while pushing the boundaries of traditional photography.

Seek Inspiration

Look for inspiration from other artists working in alternative photography. Attend workshops, exhibitions, or online forums where you can engage with like-minded individuals who share your passion for experimentation.


Conclusion

Experimenting with alternative photographic processes opens up a world of creative possibilities that can enrich your artistic practice. The joys of engaging with these hands-on techniques lie in the unique visual qualities they offer, allowing photographers to capture images that are not only beautiful but also imbued with personal expression. Each process—from cyanotype to platinum/palladium printing—invites exploration and discovery, encouraging artists to embrace imperfections and develop their distinctive styles.


Explore Film Furbish

If you're inspired to delve into the world of alternative photography or simply wish to enhance your film photography experience, look no further than Film Furbish. As the largest seller of Rollei 35 cameras, we provide a wide selection of high-quality equipment that caters to both beginners and seasoned photographers alike.


Re-Skinning Service

In addition to our extensive camera inventory, Film Furbish offers a unique re-skinning service. With over 50 different colours and textures available—from original styles to exotic snake and lizard effects, as well as genuine lizard skin—you can personalise your camera to reflect your individual style.


For inquiries about specific skins or to discuss your re-skinning needs, please reach out via email at jeremy@filmfurbish.com


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